Career Facts

Investigate MORE INFO on all professions that sound interesting. Take your time. Don't skip a step.

Job Outlook: 11% (Much faster than average)

  1. Is WHAT YOU DO enjoyable?
  2. Does the WORK ENVIRONMENT feel comfortable?
  3. Are you ok with THE REQUIREMENTS?
  4. Is the PAY ENOUGH?
  5. Is the JOB OUTLOOK positive- more than 7%?
  6. Still interested? WATCH THE VIDEO
  7. RELATED OCCUPATIONS Click here to view similar jobs.
FIND A JOB and more.

What Film and Video Editors and Camera Operators Do About this section

Film and video editors and camera operators
Nearly all video editing work is done on a computer.

Film and video editors and camera operators manipulate images that entertain or inform an audience. Camera operators capture a wide range of material for TV shows, movies, and other media. Editors arrange footage shot by camera operators and collaborate with producers and directors to create the final content.

Duties

Film and video editors and camera operators typically do the following:

  • Shoot and record television programs, motion pictures, music videos, documentaries, or news and sporting events
  • Organize digital footage with video-editing software
  • Collaborate with a director to determine the overall vision of the production
  • Discuss filming and editing techniques with a director to improve a scene
  • Select the appropriate equipment, such as the type of lens or lighting
  • Shoot or edit a scene based on the director’s vision

Many camera operators supervise one or more assistants. The assistants set up the camera equipment and may be responsible for its storage and care. Assistants also help the operator determine the best shooting angle and make sure that the camera stays in focus.

Likewise, editors often have one or more assistants. The assistants support the editor by keeping track of each shot in a database or loading digital video into an editing bay. Assistants also may do some of the editing tasks.

Most operators prefer using digital cameras because the smaller, more inexpensive instruments give them more flexibility in shooting angles. Digital cameras also have changed the job of some camera assistants: Instead of loading film or choosing lenses, they download digital images or choose a type of software program to use with the camera. In addition, drone cameras give operators an opportunity to film in the air, or in places that are hard to reach.

Nearly all editing work is done on a computer, and editors often are trained in a specific type of editing software.

The following are examples of types of camera operators:

Cinematographers film motion pictures. They usually work with a team of camera operators and assistants. Cinematographers determine the angles and types of equipment that will best capture a shot. They also adjust the lighting in a shot, because that is an important part of how the image looks.

Cinematographers may use stationary cameras that shoot whatever passes in front of them, or they may use a camera mounted on a track and move around the action. Some cinematographers sit on cranes to film an action scene; others carry the camera on their shoulder while they move around the action.

Some cinematographers specialize in filming cartoons or special effects. For information about a career in animation, see multimedia artists and animators.

Studio camera operators work in a broadcast studio and videotape their subjects from a fixed position. There may be one or several cameras in use at a time. Operators normally follow directions that give the order of the shots. They often have time to practice camera movements before shooting begins. If they are shooting a live event, they must be able to make adjustments at a moment’s notice and follow the instructions of the show’s director. The use of robotic cameras is common among studio camera operators, and one operator may control several cameras at once.

Videographers film or videotape private ceremonies or special events, such as weddings. They also may work with companies and make corporate documentaries on a variety of topics. Most videographers edit their own material.

Many videographers run their own business or do freelance work. They may submit bids, write contracts, and get permission to shoot on locations that may not be open to the public. They also get copyright protection for their work and keep financial records.

Many editors and camera operators, but particularly videographers, put their creative work online. If it becomes popular, they gain more recognition, which can lead to future employment or freelance opportunities.

Work Environment About this section

Film and video editors and camera operators
Camera operators work in a variety of conditions and may have to stand for long periods.

Camera operators, television, video, and film held about 29,700 jobs in 2019. The largest employers of camera operators, television, video, and film were as follows:

Motion picture and video industries 28%
Self-employed workers 26
Radio and television broadcasting 19
Professional, scientific, and technical services 6
Government 3

Film and video editors held about 38,300 jobs in 2019. The largest employers of film and video editors were as follows:

Motion picture and video industries 49%
Self-employed workers 27
Television broadcasting 6
Professional, scientific, and technical services 5

Film and video editors and camera operators typically work in studios or offices. Camera operators and videographers often shoot raw footage on location.

Film and video editors work in editing rooms by themselves, or with producers and directors, for many hours at a time. Cinematographers and operators who shoot movies or TV shows may film on location and be away from home for months at a time. Operators who travel usually must carry heavy equipment to their shooting locations.

Some camera operators work in uncomfortable or even dangerous conditions, such as severe weather, military conflicts, and natural disasters. They may have to stand for long periods waiting for an event to take place. They may carry heavy equipment while on shooting assignment.

Work Schedules

Work hours vary with the type of operator or editor, although most work full time. Those who work in broadcasting may put in additional hours to meet a deadline. Those who work in the motion picture industry may have busy schedules while filming, but they go through a period of looking for work once a film is complete and before they are hired for their next job.

How to Become a Film and Video Editor or Camera Operator About this section

Film and video editors and camera operators
Most editor and camera operator positions require a bachelor's degree in a field related to film or broadcasting.

Film and video editors and camera operators typically need a bachelor’s degree in a field related to film or broadcasting.

Education

Most editor and camera operator positions require a bachelor’s degree in a field related to film or broadcasting, such as communications. Many colleges offer courses in cinematography or video-editing software. Coursework involves a mix of film theory with practical training.

Film and video editors and camera operators must have an understanding of digital cameras and editing software because both are now used on film sets.

Training

Employers may offer new employees training in the type of specialized editing software those employers use. Most editors eventually specialize in one type of software, but beginners should be familiar with as many types as possible.

Licenses, Certifications, and Registrations

Editors may demonstrate competence in various types of editing software by earning certification, which is generally offered by software vendors. Certification requires passing a comprehensive exam, and candidates can prepare for the exam on their own, through online tutorials, or through classroom instruction.

Advancement

Experienced film and video editors and camera operators with creativity and leadership skills can advance to overseeing their own projects. For more information, see the profile on producers and directors.

Important Qualities

Communication skills. Film and video editors and camera operators must communicate with other members of a production team, including producers and directors, to ensure that the project goes smoothly.

Computer skills. Film and video editors must use sophisticated editing software.

Creativity. Film and video editors and camera operators should be able to imagine what the result of their filming or editing will look like to an audience.

Detail oriented. Editors look at every frame of film and decide what should be kept or cut in order to maintain the best content.

Hand–eye coordination. Camera operators need to be able to move about the action while holding a camera steady.

Physical stamina. Camera operators may need to carry heavy equipment for long periods, particularly when they are filming on location.

Visual skills. Film and video editors and camera operators must see clearly what they are filming or editing in the postproduction process.

Pay About this section

Film and Video Editors and Camera Operators

Median annual wages, May 2019

Film and video editors

$63,780

Film and video editors and camera operators

$59,810

Camera operators, television, video, and film

$55,160

Media and communication equipment workers

$48,270

Total, all occupations

$39,810

 

The median annual wage for camera operators, television, video, and film was $55,160 in May 2019. The median wage is the wage at which half the workers in an occupation earned more than that amount and half earned less. The lowest 10 percent earned less than $26,560, and the highest 10 percent earned more than $110,790.

The median annual wage for film and video editors was $63,780 in May 2019. The lowest 10 percent earned less than $32,750, and the highest 10 percent earned more than $168,320.

In May 2019, the median annual wages for camera operators, television, video, and film in the top industries in which they worked were as follows:

Motion picture and video industries $62,510
Radio and television broadcasting 52,360
Government 52,290
Professional, scientific, and technical services 43,590

In May 2019, the median annual wages for film and video editors in the top industries in which they worked were as follows:

Motion picture and video industries $69,480
Professional, scientific, and technical services 57,140
Television broadcasting 51,870

Work hours vary with the type of operator or editor, although most work full time. Those who work in broadcasting may put in additional hours to meet a deadline. Those who work in the motion picture industry may have busy schedules while filming, but they go through a period of looking for work once a film is complete and before they are hired for their next job.

Job Outlook About this section

Film and Video Editors and Camera Operators

Percent change in employment, projected 2019-29

Film and video editors

22%

Film and video editors and camera operators

18%

Camera operators, television, video, and film

14%

Media and communication equipment workers

6%

Total, all occupations

4%

 

Employment of film and video editors is projected to grow 22 percent from 2019 to 2029, much faster than the average for all occupations.

Employment of camera operators is projected to grow 14 percent from 2019 to 2029, faster than the average for all occupations.

The number of Internet-only platforms, such as streaming services, is likely to increase, along with the number of shows produced for these platforms. This growth may lead to more work for editors and camera operators.

In broadcasting, the consolidation of roles—such as editors who determine the best angles for a shoot, the use of robotic cameras, and the increasing reliance on amateur film footage—may lead to fewer jobs for camera operators. However, more film and video editors are expected to be needed because of an increase in special effects and overall available content.

Job Prospects

Film and video editors and camera operators will face strong competition for jobs. Most job openings are projected to be in entertainment hubs such as New York City and Los Angeles because specialized editing workers are in demand there. Those with experience at a TV station or on a film set should have the best prospects. Video editors may improve their prospects by developing skills with different types of specialized editing software.

Employment projections data for film and video editors and camera operators, 2019-29
Occupational Title SOC Code Employment, 2019 Projected Employment, 2029 Change, 2019-29 Employment by Industry
Percent Numeric

SOURCE: U.S. Bureau of Labor Statistics, Employment Projections program

Television, video, and film camera operators and editors

27-4030 67,900 80,400 18 12,400 Get data

Camera operators, television, video, and film

27-4031 29,700 33,800 14 4,200 Get data

Film and video editors

27-4032 38,300 46,500 22 8,300 Get data

Contacts for More Information About this section

For more information about film and video editors and camera operators, visit

Motion Picture Editors Guild

O*NET

Camera Operators, Television, Video, and Motion Picture

Film and Video Editors

Video